The Happening (Special Edition + Digital Copy) [Blu-ray] (2008)

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You'd expect the end of the world to be no day in the park, but in M. Night Shyamalan's The Happening, a day in the park is where the end begins. One otherwise peaceful summer morning, New Yorkers strolling in Central Park come to a halt in unison, then begin killing themselves by any means at hand. At a high-rise construction site a few blocks over, it's raining bodies as workers step off girders into space. And all the while, the city is so quiet you can hear the gentle breeze in the trees. That breeze carries a neurotoxin, and what or who put it there (terrorists?) is a question raised periodically as the film unfolds. But the question that really matters is how and whether anybody in the Middle Atlantic states is going to stay alive. The Happening is Shyamalan's best film since The Sixth Sense, partly because he avoids the kind of egregious misjudgment that derailed The Village and Lady in the Water, but mostly because the whole thing has been structured and imagined to keep faith with the point of view of regular, unheroic folks confronted with a mammoth crisis. Focal characters are a Philadelphia high-school science teacher (Mark Wahlberg, excellent), his wife (Zooey Deschanel) and math-teacher colleague (John Leguizamo), and the latter’s little girl (Ashlyn Sanchez). Instinct says get out of the cities and move west; most of the film takes place in the delicately picturesque Pennsylvania countryside, with menace hovering somewhere in the haze. There are no special effects (apart from a wind machine and some breakaway glass), but the movie manages to be deeply unsettling in the matter-of-factness of its storytelling. Especially effective is its feel for what we might call the surrealism of banality. One warning sign that someone has been infected by the neurotoxin is irrational or erratic speech and behavior, yet Shyamalan has a genius for dialogue that sounds normal and everyday as it's spoken, yet flies apart grenade-like a second later as its logic (or illogic) sinks in. Then there's Deschanel's eye-rolling dodginess about the messages some guy has been leaving on her cellphone. Or the fellow (Frank Collis) who addresses his greenhouse plants as though they were his children--has a stray toxic zephyr wafted his way, or is this just his idea of normal? --Richard T. Jameson

Get Smart (+ Digital Copy) [Blu-ray] (2008)

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Product Description
Studio: Warner Home Video Release Date: 11/04/2008 Run time: 151 minutes Rating: Pg13

Tropic Thunder (Unrated Director's Cut)[Blu-ray] [Blu-ray] (2008)

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It's not really a knock to say that nothing in Tropic Thunder is funnier than its first five minutes, so sly that--especially for people watching in theaters--you don't realize right away they are the opening minutes of the movie. This outrageous comedy begins with a series of fake previews, each introducing one of the main characters in the film-proper (not that there's anything proper about this film) and each bearing the familiar logo of a different motion picture studio: Universal, DreamWorks SKG, et al. Such playing fast and loose with corporate talismans verges on sacrilege, but it's an index of how much le tout Tinseltown endorses the movie as a demented valentine to itself. The premise is that the cast of a would-be "Son of Rambo" movie shooting in some Southeast Asian jungle get into a real shooting war with drug-smuggling montagnards. Don't ask--though the movie does have an answer--why such highly paid, usually ultra-pampered personnel as superhero Tugg Speedman (Ben Stiller), Mozart of fart comedy Jeff Portnoy (Jack Black), hip-hop artist Alpa Chino (Brandon T. Jackson), and five-time Oscar-winner Kirk Lazarus from Aus-try-leeah (Robert Downey Jr.) should be running through the jungle unattended and very vulnerable. It matters only that the real-life cast has a high time kidding their own profession and flexing their comedic muscles. Bonus points go to Stiller for co-writing the script (with Justin Theroux) and directing, and to Downey, brilliant as a white actor surgically turned black actor for his role and utterly committed to staying in character no matter what ("I don't drop character till I done the DVD commentary"). Be warned: The movie, too, is committed--to being an equal-opportunity offender. Its political incorrectness extends not only to Lazarus's black-like-me posturing but also Speedman's recent, Sean Penn–style Oscar bid playing a cognitively challenged farmboy--or, in Lazarus's deathless phrase, "going the full retard." Others in the cast include Steve Coogan as a director out of his depth, Nick Nolte as the Viet-vet novelist whose book inspired the film-within-the-film, Matthew McConaughey as Speedman's sun-blissed agent back home, and Tom Cruise--bald, fat-suited, and profane--as an epically repulsive studio head. Two hours running time is a mite excessive, but otherwise, what's not to like? --Richard T. Jameson

Wall-E (Three-Disc Special Edition + Digital Copy and BD Live) [Blu-ray]

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Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot--with a big, big heart--who holds the future of earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot--a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. Wall-E is preceded in theaters by the comical short Presto in which a magician's rabbit, unfed one too many times takes his revenge against the egotistical magician. (Ages 3 and older) --Tami Horiuchi>

300 2 Disc Special Edition DVD AWSOME MOVIE!!!

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Technical Details

• 2 Disc Special Edition With Extra Bonus Footage Including Never Before Seen Scenes!
• Extra Disc includes: 300 Spartans - Fact or Fiction? The Shocking Life of a Spartan Revealed
• Also Includes: Who Were The Spartans? How the actors built their characters based on spartan custom
• Includes Special Commentary by Director Zack Snyder & More

Product Description
Movie Description Based on the graphic novel by Frank Miller and Lynn Varley, 300 takes over the screen like an invading horde. With all the gushing blood of a horror movie and the scope of a classic epic, the second film from Zack Snyder (who helmed the 2004 remake of DAWN OF THE DEAD) is an impressive visual spectacle. Gerard Butler (THE PHANTOM OF THE OPERA) plays Leonidas, the king of ancient Sparta. The city is famous for its warrior philosophy, and Leonidas won?t kneel to the demands of Persia's King Xerxes (LOST's Rodrigo Santoro). Instead, Leonidas leads his 300-strong army against Xerxes's army of millions. Meanwhile, his wife (Lena Headley, THE BROTHERS GRIMM) campaigns in Sparta for the city to send reinforcements as she butts heads with the treacherous Theron (Dominic West, THE WIRE). With its gore and scale, 300 marks director Snyder as a possible successor to Peter Jackson's throne. Jackson also got his start in horror with BAD TASTE and DEAD ALIVE, and the two men share a penchant for ambitious battle scenes. The huge fights in 300 rival Jackson's efforts in the LORD OF THE RINGS films. David Wenham, who starred in two of the Tolkien-based films, plays Dilios, one of the Spartan soldiers. Though the cast doesn't boast any A-list stars, the actors ably fill their larger-than-life roles. In a film filled with men, Headley stands out as Queen Gorgo. She matches her warrior husband in strength, while showing love toward Leonidas and their son. Though there are scenes that demonstrate the humanity of the characters, 300 is undeniably about bravery and blood, and it succeeds because of the stylish depictions of both. Credits Cast: Gerard Butler, Lena Headey, Vincent Regan Director: Zack Snyder Producer: Bernie Goldmann, Gianni Nunnari, Jeffrey Silver, Mark Canton

Bones - Season 3

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32 Customer Reviews



Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2's finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela's search for her long-time but vaguely remembered husband. "The Secret of the Soil" introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI's concern due to Booth having arrested Bones' father. These sessions are generally funny stuff as, mostly, Booth can't help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth. H. Bala "Me Too Can Read"

Star Wars: The Clone Wars (Widescreen Edition)

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2,170 Customer Reviews



All in all, I've seen this movie 3 times already. I almost never go back for "seconds" at the theater, but i couldn't wait until it came out on DVD to see it again. And by no means am I a passive movie watcher, I am a severe movie lover and have a passion for films - and this one did not disappoint me at all! "ladygreycat"

Hellboy II: The Golden Army (3 Disc Special Edition)

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95 Customer Reviews



The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh

Barbie in a Christmas Carol

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Barbie™ in A Christmas Carol is a heart-warming adaptation of the classic Dickens story filled with cherished Christmas carols, fabulous fashions and lots of laughs! The tale stars Barbie™ as Eden Starling™ the glamorous singing diva of a theatre in Victorian London. Along with her snooty cat, Chuzzlewit, Eden selfishly plans to make all the theatre performers stay and rehearse on Christmas Day! Not even Eden’s costume designer and childhood friend Catherine can talk Eden out of her self-centered tantrum. It’s up to three very unusual Christmas Spirits to take Eden on a fantastical holiday journey that will open her heart to the spirit of the season and the joy of giving. Barbie™ in A Christmas Carol is a family favorite to enjoy every holiday season!

Tropic Thunder (Unrated Director's Cut)[Blu-ray] [Blu-ray]

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30 Customer Reviews



It's not really a knock to say that nothing in Tropic Thunder is funnier than its first five minutes, so sly that--especially for people watching in theaters--you don't realize right away they are the opening minutes of the movie. This outrageous comedy begins with a series of fake previews, each introducing one of the main characters in the film-proper (not that there's anything proper about this film) and each bearing the familiar logo of a different motion picture studio: Universal, DreamWorks SKG, et al. Such playing fast and loose with corporate talismans verges on sacrilege, but it's an index of how much le tout Tinseltown endorses the movie as a demented valentine to itself. The premise is that the cast of a would-be "Son of Rambo" movie shooting in some Southeast Asian jungle get into a real shooting war with drug-smuggling montagnards. Don't ask--though the movie does have an answer--why such highly paid, usually ultra-pampered personnel as superhero Tugg Speedman (Ben Stiller), Mozart of fart comedy Jeff Portnoy (Jack Black), hip-hop artist Alpa Chino (Brandon T. Jackson), and five-time Oscar-winner Kirk Lazarus from Aus-try-leeah (Robert Downey Jr.) should be running through the jungle unattended and very vulnerable. It matters only that the real-life cast has a high time kidding their own profession and flexing their comedic muscles. Bonus points go to Stiller for co-writing the script (with Justin Theroux) and directing, and to Downey, brilliant as a white actor surgically turned black actor for his role and utterly committed to staying in character no matter what ("I don't drop character till I done the DVD commentary"). Be warned: The movie, too, is committed--to being an equal-opportunity offender. Its political incorrectness extends not only to Lazarus's black-like-me posturing but also Speedman's recent, Sean Penn–style Oscar bid playing a cognitively challenged farmboy--or, in Lazarus's deathless phrase, "going the full retard." Others in the cast include Steve Coogan as a director out of his depth, Nick Nolte as the Viet-vet novelist whose book inspired the film-within-the-film, Matthew McConaughey as Speedman's sun-blissed agent back home, and Tom Cruise--bald, fat-suited, and profane--as an epically repulsive studio head. Two hours running time is a mite excessive, but otherwise, what's not to like? --Richard T. Jameson

Made of Honor

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Patrick Dempsey makes his full transition to romantic-comedy stardom in Made of Honor, flashing those winning dimples and twinkly baby blues to full fetching effect. The camera truly loves him, and his considerable affable charm calls to mind early Hugh Grant, winsome even in utter confusion. Dempsey plays Tom, a nice guy but a serial dater with a girlfriend in every zip code of New York; Michelle Monaghan is Hannah, Tom's BFF since college, who's decided she wants marriage and family. When she becomes unexpectedly engaged to Colin (Journeyman's Kevin McKidd, rather McDreamy himself), Tom realizes what the viewer's known all along--that Hannah is in fact his dream woman. It's When Harry Met Sally... meets My Best Friend's Wedding--but thankfully, Dempsey's Tom is far more sympathetic than Julia Roberts' snide schemer. The plot isn't exactly full of surprises, but the cast--and their amazing chemistry--are so winning that the film makes for the perfect date movie. Not only are all three leads charming in their own way, but the rich cinematography manages to make both Manhattan and the Scottish countryside look like glorious edens, one urban, one windswept. Monaghan is a revelation, quietly lovely as a young Carla Bruni, but with a flinty gumption that makes her all the more appealing. The supporting cast is rich, too, especially Sydney Pollack as Tom's serially marrying dad. (At his dad's fifth--or is it sixth?--wedding, Tom's new arm-candy "stepmom" gets tipsy and overly affectionate with guests as her new husband looks on fondly: "Ah... drunk as the night I first met her.") But at the core of the film are its big heart, and the connection between Tom and Hannah, deep and wide whether they end up just best friends or more. And the delight for viewers is knowing they'll be just as glowy either way.-- A.T. Hurley

What Happens in Vegas (Widescreen Edition)

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What Happens in Vegas is a comedy waiting to happen. It takes an old premise (drunk strangers regretting their decision to get married in Las Vegas) and adds in a dilemma (a $3 million slot machine win) that could've been easily resolved. But then again, there would've been no movie if the unhappily wedded couple figured out that splitting the money in half and getting their marriage annulled would've been quick and effective. Cameron Diaz plays uptight clean-freak Joy, who has just been dumped by her fiance. Ashton Kutcher is Jack, a slacker furniture maker who has been fired--by his own dad. Each goes to Vegas to let off some steam. And while they have nothing in common (except being exceptionally good looking) they make out, get married, and fight over the money Jack wins with Joy's quarter. Instead of letting the couple get divorced, a judge sentences the odd couple to half a year of marriage. What happens in Vegas doesn't stay in Vegas, but extends into New York where Jack and Joy live. Both actors have fared well in comedies, especially Diaz in My Best Friend's Wedding. And while Kutcher still has to live down Dude, Where's My Car?, he showed a lot of comedic flair and charm in A Lot Like Love. But the two face an uphill battle here with inane dialogue and a premise that not only is unbelievable, but unlikeable. The two are so incompatible (and immature) they can't even control bathroom time and, in Jack's case, his bladder. --Jae-Ha Kim

Baby Mama

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Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been involved in a serious relationship; Kate wants a baby and will stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's Amy Poehler) who, with her common-law husband Carl (Dax Shepard), is just desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper nutrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

Forgetting Sarah Marshall (Three-Disc Unrated Collector's Edition) (2008)

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Breaking up is hard to do--but that doesn't mean you can't have some belly laughs about it. Forgetting Sarah Marshall provides that rare treat: a romantic comedy about breakups, that is both romantic and funny. The laughs, especially from writer-star Jason Segel, are both heartfelt and raunchy, and the film is just unexpected enough that it keeps the viewer's attention till the end. The touches of producer Judd Apatow, who's famously retooled rom-coms to appeal to guys as much as women, are woven throughout the film, but Segel's script, reportedly based on many of his own experiences, is fresh and original. And adult. Forgetting Sarah Marshall features male genitalia laffs presented in unexpected and human ways (the nude breakup scene is played for giggles but also deep poignancy), and the language and sex scenes are strictly for grownups--and rightly so. Segel's script, and his performance as Peter, show that he understands the true nature of adult relationships, which provides the refreshing difference between this film and some of Apatow's other crude creations. The cast is sublime; Kristen Bell (Veronica Mars) plays title character Sarah, a self-absorbed actress, and Russell Brand is her new British honey who accompanies her to--what are the chances?--the exact same Hawaiian resort as Peter, who's nursing his broken heart. Mila Kunis plays Rachel, the resort employee who gives Peter a reason to hope, and Paul Rudd is the surfing instructor who gives him his own brand of heartfelt advice ("When life gives you lemons, just say 'F--- the lemons' and bail," he says cheerily). The pacing is screwball, and the absurdities fly (a "Dracula" musical puppet show, and a surprisingly lovely Hawaiian version of "Nothing Compares 2 U"). Nothing the viewer will forget any time soon.--A.T. Hurley

The Happening

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You'd expect the end of the world to be no day in the park, but in M. Night Shyamalan's The Happening, a day in the park is where the end begins. One otherwise peaceful summer morning, New Yorkers strolling in Central Park come to a halt in unison, then begin killing themselves by any means at hand. At a high-rise construction site a few blocks over, it's raining bodies as workers step off girders into space. And all the while, the city is so quiet you can hear the gentle breeze in the trees. That breeze carries a neurotoxin, and what or who put it there (terrorists?) is a question raised periodically as the film unfolds. But the question that really matters is how and whether anybody in the Middle Atlantic states is going to stay alive. The Happening is Shyamalan's best film since The Sixth Sense, partly because he avoids the kind of egregious misjudgment that derailed The Village and Lady in the Water, but mostly because the whole thing has been structured and imagined to keep faith with the point of view of regular, unheroic folks confronted with a mammoth crisis. Focal characters are a Philadelphia high-school science teacher (Mark Wahlberg, excellent), his wife (Zooey Deschanel) and math-teacher colleague (John Leguizamo), and the latter’s little girl (Ashlyn Sanchez). Instinct says get out of the cities and move west; most of the film takes place in the delicately picturesque Pennsylvania countryside, with menace hovering somewhere in the haze. There are no special effects (apart from a wind machine and some breakaway glass), but the movie manages to be deeply unsettling in the matter-of-factness of its storytelling. Especially effective is its feel for what we might call the surrealism of banality. One warning sign that someone has been infected by the neurotoxin is irrational or erratic speech and behavior, yet Shyamalan has a genius for dialogue that sounds normal and everyday as it's spoken, yet flies apart grenade-like a second later as its logic (or illogic) sinks in. Then there's Deschanel's eye-rolling dodginess about the messages some guy has been leaving on her cellphone. Or the fellow (Frank Collis) who addresses his greenhouse plants as though they were his children--has a stray toxic zephyr wafted his way, or is this just his idea of normal? --Richard T. Jameson