Collateral (Two-Disc Special Edition) (2004)

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Collateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff Shannon

Lara Croft - Tomb Raider (Special Collector's Edition) (2001)

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Like the video game series it's based on, Tomb Raider is best enjoyed for its physical strategies, since even casual scrutiny of story details will induce a headache. It's more concerned with puzzles than plot, populated with characters that don't have personalities so much as attitudes. It's silly and somber at the same time, but as a franchise vehicle for Angelina Jolie in the title role of relic hunter Lara Croft, this is packaged entertainment at its most agreeable, ambitious in scope and scale, and filled with the kind of globetrotting adventure that could make Jolie the best thing that's happened to action movies since Indiana Jones. Could being the operative word here, because Tomb Raider can't match any of Steven Spielberg's celebrated joyrides, but the ingredients are there for an exquisitely cinematic meal. Perhaps to distance himself from Lara Croft's video game origins, director Simon West takes things a bit too seriously; Tomb Raider handles its plot (involving a planetary alignment, the nefarious Illuminati, and coveted relics that hold the key to controlling the flow of time) with all the gravity of a championship chess match... minus the tension. If the movie had lightened up and been truly suspenseful (instead of being suffused with been-there, done-that familiarity), it would have been an instant popcorn classic. As it is, however, this is an elegantly mounted adventure featuring exotic locations (in Cambodia and Iceland) and an exotic star born for her role. Even without her padded bra, Jolie would be the living embodiment of Lara Croft, and that's enough to bode well for inevitable sequels. --Jeff Shannon

XXX (Widescreen Special Edition) (2002)

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Vin Diesel is no James Bond, and he doesn't want to be. That's why XXX announced Diesel as the adrenalin-junkie Bond of the PlayStation generation, copying the Bond formula so shamelessly that this action-packed silliness would be a Bond movie if it starred Pierce Brosnan. Reuniting Diesel with his Fast and the Furious director Rob Cohen, XXX has an attitude (if not a brain) all its own, plucking Diesel's Xander Cage from his celebrity as an extreme sports renegade, recruited by a National Security Agency big shot (Samuel L. Jackson) to foil a nasty Czech villain (Marton Csokas) who's eager to depopulate Prague with remote-controlled biological weaponry. Toss in a sulky, sultry Russian agent (Asia Argento) and you've got extreme Bond-age for anyone who thinks tuxedos are passé. With a handful of eye-popping action sequences, XXX launched a movie franchise with a cool guy, another cool muscle car, and plenty of box-office sizzle. --Jeff Shannon

I, Robot (Widescreen Edition) (2004)

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As paranoid cop Del Spooner, Will Smith (Independence Day, Men in Black) displays both his trademark quips and some impressive pectoral muscles in I, Robot. Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; I, Robot, the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan (The Sum of All Fears), Bruce Greenwood (The Sweet Hereafter), and James Cromwell (Babe, LA Confidential). --Bret Fetzer

The Ring (Widescreen Edition) (2002)

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With its disturbing images and a few good shocks, The Ring is the kind of frightfest you'll watch to set a chilling mood or spook your susceptible friends, but when you try to sort it out, this well-mounted American remake (of the 1998 Japanese hit Ringu, based on Koji Suzuki's popular novel) becomes a batch of incoherent parts. The negligible plot follows a Seattle reporter (Naomi Watts) as she investigates the death of her niece, the victim of a mysterious videotape that, according to urban legend, causes the viewer's death seven days later. (Fear Dot Com borrowed the same idea while avoiding this film's lofty pretensions.) The countdown structure follows the reporter, her son, and her estranged boyfriend into deepening layers of terror--all quite effective until the movie attempts to explain itself. At that you're better off shutting down your brain and letting the creepy visuals take over. --Jeff Shannon

War of the Worlds (Widescreen Edition) (2005)

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Despite super effects, a huge budget, and the cinematic pedigree of alien-happy Steven Spielberg, this take on H.G. Wells's novel is basically a horror film packaged as a sci-fi thrill ride. Instead of a mad slasher, however, Spielberg (along with writers Josh Friedman & David Koepp) utilizes aliens hell-bent on quickly destroying humanity, and the terrifying results that prey upon adult fears, especially in the post-9/11 world. The realistic results could be a new genre, the grim popcorn thriller; often you feel like you're watching Schindler's List more than Spielberg's other thrill-machine movies (Jaws, Jurassic Park). The film centers on Ray Ferrier, a divorced father (Tom Cruise, oh so comfortable) who witnesses one giant craft destroy his New Jersey town and soon is on the road with his teen son (Justin Chatwin) and preteen daughter (Dakota Fanning) in tow, trying to keep ahead of the invasion. The film is, of course, impeccably designed and produced by Spielberg's usual crew of A-class talent. The aliens are genuinely scary, even when the film--like the novel--spends a good chunk of time in a basement. Readers of the book (or viewers of the deft 1953 adaptation) will note the variation of whom and how the aliens come to Earth, which poses some logistical problems. The film opens and closes with narration from the novel read by Morgan Freeman, but Spielberg could have adapted Orson Welles's words from the famous Halloween Eve 1938 radio broadcast: "We couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the best next thing: we annihilated the world." --Doug Thomas

Minority Report (Widescreen Two-Disc Special Edition) (2002)

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Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for comfort. --Jeff Shannon

Blade (New Line Platinum Series) (1998)

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The recipe for Blade is quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Blade is the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads." Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese anime sprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. --Jeremy Storey

Van Helsing (Widescreen Edition) (2004)

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Like a roller coaster ready to fly off its rails, Van Helsing rockets to maximum velocity and never slows down. Having earned blockbuster clout with The Mummy and The Mummy Returns, writer-director Stephen Sommers once again plunders Universal's monster vault and pulls out all the stops for this mammoth $148-million action-adventure-horror-comedy, which opens (sans credits) with a terrific black-and-white prologue that pays homage to the Universal horror classics that inspired it. The plot pits legendary vampire hunter Van Helsing (Hugh Jackman) against Dracula (the deliciously campy Richard Roxburgh), his deadly blood-sucking brides, and the Wolfman (Will Kemp) in a two-hour parade of outstanding special effects (980 in all) that turn Sommers' juvenile plot into a triple-overtime bonus for CGI animators. In alliance with a Transylvanian princess (Kate Beckinsale) and the Frankenstein monster (Shuler Hensley), Van Helsing must prevent Dracula from hatching his bat-winged progeny, and there's so much good-humored action that you're guaranteed to be thrilled and exhausted by the time the 10-minute end-credits roll. It's loud, obnoxious, filled with revisionist horror folklore, and aimed at addicted gamers and eight-year-olds, but this colossal monster mash (including Mr. Hyde, just for kicks) will never, ever bore you. A sequel is virtually guaranteed. --Jeff Shannon

Hellboy (Two-Disc Special Edition) (2004)

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In the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favor of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff Shannon

The League of Extraordinary Gentlemen (Widescreen Edition) (2003)

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The heroes of 1899 are brought to life with the help of some expensive special effects in The League of Extraordinary Gentlemen. From the pages of Victorian literature come Captain Nemo, Dr. Jekyll (and his alter ego Mr. Hyde), Dorian Gray, Tom Sawyer, an Invisible Man, Mina Harker (from Dracula), and the hunter Allan Quatermain (Sean Connery), all brought together to combat an evil megalomaniac out to conquer the world. Hardly an original plot, but perhaps that's fitting for a movie sewn together like Frankenstein's monster. The movie rushes from one frenetic battle to another, replacing sense with spectacle--Nemo's submarine rising from the water, a warehouse full of zeppelins bursting into flame, Venice collapsing into its own canals; flashy, dumb, and completely incoherent. Fans of the original comic book will be disappointed. Also featuring Peta Wilson, Shane West, Stuart Townsend, Richard Roxburgh, and Jason Flemyng. --Bret Fetzer

Elektra (Widescreen Edition) (2005)

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While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

Blade II (New Line Platinum Series) (2002)

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Aptly described by critic Roger Ebert as "a vomitorium of viscera," Blade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the über-vamps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon

Hulk (Widescreen 2-Disc Special Edition) (2003)

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When the Hulk gets angry, his movie gets good, so you wish he'd get angry more often. Accepting this challenge after the triumphant Crouching Tiger, Hidden Dragon, director Ang Lee has created an ambitious film, based on the Marvel comic created by Stan Lee and Jack Kirby, that succeeds as a cautionary tale about mad science and traumatized children coping with legacies of pain. That's the Hulk's problem: After accidental exposure to gamma radiation, scientist Bruce Banner (Eric Bana) turns into the huge, green, and indestructible Hulk when provoked, and repressed childhood memories fuel his fury. Hobbled by the obligatory "origin story" (to acquaint neophytes with the character's Jekyll-and-Hyde-ish fate), there's room for little else in a sluggish film that struggles to reconcile Lee's stylistic flair (evident in his visual interpretation of comic-book technique) with the razzle-dazzle of a megabudget franchise. What's good is good (Jennifer Connelly essentially echoes her role from A Beautiful Mind, and Nick Nolte is righteously tormented as Banner's father), but the movie's schizoid intentions remain largely unclear. --Jeff Shannon

X-Men (Widescreen Edition) (2000)

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Product Description
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers - the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rogue absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart) these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto (Ian McKellen) who believes humans and mutants can never co-exist unveils his sinsiter plan for the future!System Requirements:Running Time: 120 min.Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: PG-13 UPC: 024543900955 Manufacturer No: 2110095

X-Men - The Last Stand (Full Screen Edition) (2006)

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X-Men: The Last Stand is the third installment in the popular superhero franchise, and it's an exciting one with a splash of fresh new characters. When a scientist named Warren Worthington II announces a "cure" for mutant powers, it raises an interesting philosophical question: is mutant power a disease that needs a cure, or is it a benefit that homo superior enjoys over "normal" human beings? No surprise that Magneto (Ian McKellen) and his Brotherhood of Evil Mutants resist the idea that they need to be cured, and declare war on the human race. But it's a little tougher for the X-Men, led by Professor X (Patrick Stewart), Cyclops (James Marsden), and Storm (Halle Berry). If you're Rogue (Anna Paquin), for example, your power means you can't even touch your boyfriend, Iceman (Shawn Ashmore). To compound matters, someone previously thought dead has returned, and might be either friend or foe.

Fantastic Four (Widescreen Edition) (2005)

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On the DVD
The principal extra on the DVD is a spirited commentary track by Jessica Alba, Michael Chiklis, and Ioan Gruffud. Self-avowed FF fan Chiklis explains why the Thing doesn't have a craggy brow, Alba recalls which things were "cool," and they talk about looking forward to the sequel. There are three short deleted scenes (including a goofy Wolverine reference), 20 minutes of barely watchable hand-held video footage from the press tour, music videos, and some short featurettes including an appearance by FF creator Stan Lee. --David Horiuchi

Daredevil (Director's Cut) (2003)

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Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon

Spider-Man 2 (Widescreen Special Edition) (2004)

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More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 3. --Jeff Shannon

Spider-Man (Widescreen Special Edition) (2002)

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For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man. That's all well and good, and so is Kirsten Dunst as Parker's girl-next-door sweetheart. Where Spider-Man falls short is in its hyperactive CGI action sequences, which play like a video game instead of the gravity-defying exploits of a flesh-and-blood superhero. Willem Dafoe is perfectly cast as Spidey's schizoid nemesis, the Green Goblin, and the movie's a lot of fun overall. It's no match for Superman and Batman in bringing a beloved character to the screen, but it places a respectable third. --Jeff Shannon

X2 - X-Men United (Two-Disc Widescreen Edition) (2003)

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Product Description
The evolution continues in this "exhilarating thrill ride" (Seattle Post-Intelligencer) that features the extraordinary original X-Men - along with amazing new mutants possessing fantastic powers that have to be seen to be believed. In the wake of a shocking attack on the President, the X-Men face their most dangerous mission ever. They must stand united with their deadliest enemies to combat a menace that threatens every mutant on the planet. But could this new alliance backfire and annihilate the human race? Patrick Stewart, Ian McKellen, Hugh Jackman, Hale Berry, Famke Janssen and Rebecca Romijn-Stamos star in this breathtaking, action-packed spectacle that "may be the best superhero movie yet made!" (San Francisco Examiner)

The Matrix Reloaded (Widescreen Edition) (2003)

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Considering the lofty expectations that preceded it, The Matrix Reloaded triumphs where most sequels fail. It would be impossible to match the fresh audacity that made The Matrix a global phenomenon in 1999, but in continuing the exploits of rebellious Neo (Keanu Reeves), Morpheus (Laurence Fishburne), and Trinity (Carrie-Anne Moss) as they struggle to save the human sanctuary of Zion from invading machines, the codirecting Wachowski brothers have their priorities well in order. They offer the obligatory bigger and better highlights (including the impressive "Burly Brawl" and freeway chase sequences) while remaining focused on cleverly plotting the middle of a brain-teasing trilogy that ends with The Matrix Revolutions. The metaphysical underpinnings can be dismissed or scrutinized, and choosing the latter course (this is, after all, an epic about choice and free will) leads to astonishing repercussions that made Reloaded an explosive hit with critics and hardcore fans alike. As the centerpiece of a multimedia franchise, this dynamic sequel ends with a cliffhanger that virtually guarantees a mind-blowing conclusion. --Jeff Shannon

The Matrix (1999)

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Amazon.com essential video
By following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend.

The Lord of the Rings - The Two Towers (Platinum Series Special Extended Edition) (2002)

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Product Description
Not seen in theaters, this unique version of the epic adventure features over 40 minutes of new and extended scenes integrated into the film by the director. DVD set consists of four discs with hours of original content including multiple documentaries, commentaries and design/photo galleries with thousands of images to give viewers an in-depth behind-the-scenes look at the film. Frodo Baggins and the Fellowship continue their quest to destroy the One Ring and stand against the evil of the dark lord Sauron. The Fellowship has divided and now find themselves taking different paths to defeating Sauron and his allies. Their destinies now lie at two towers - Orthanc Tower in Isengard, where the corrupted wizard Saruman waits and Sauron's fortress at Baraddur, deep within the dark lands of Mordor.

The Lord of the Rings - The Return of the King (Platinum Series Special Extended Edition) (2003)

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One DVD Set to Rule Them All
Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi

The Lord of the Rings - The Fellowship of the Ring (Platinum Series Special Extended Edition) (2001)

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Amazon.com essential video
In every aspect, the extended-edition DVD of Peter Jackson's epic fantasy The Lord of the Rings: The Fellowship of the Ring blows away the theatrical-version DVD. No one who cares at all about the film should ever need to watch the original version again. Well, maybe the impatient and the squeamish will still prefer the theatrical version, because the extended edition makes a long film 30 minutes longer and there's a bit more violence (though both versions are rated PG-13). But the changes--sometimes whole scenes, sometimes merely a few seconds--make for a richer film. There's more of the spirit of J.R.R. Tolkien, embodied in more songs and a longer opening focusing on Hobbiton. There's more character development, and more background into what is to come in the two subsequent films, such as Galadriel's gifts to the Fellowship and Aragorn's burden of lineage. And some additions make more sense to the plot, or are merely worth seeing, such as the wood elves leaving Middle-earth or the view of Caras Galadhon (but sorry, there's still no Tom Bombadil). Extremely useful are the chapter menus that indicate which scenes are new or extended.

The Day After Tomorrow [Blu-ray] (2004)

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Product Description
When global warming triggers the onset of a new Ice Age, tornadoes flatten Los Angeles, a tidal wave engulfs New York City and the entire Northern Hemisphere begins to freeze solid. Now, climatologist Jack Hall (Dennis Quaid), his son Sam (Jake Gyllenhaal) and a small band of survivors must ride out the growing superstorm and stay alive in the face of an enemy more powerful and relentless than any they've ever encountered: Mother Nature!

Mr & Mrs Smith [Blu-ray] (2005)

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Product Description

Brad Pitt and Angelina Jolie smolder in one of the most anticipated, sizzling action films ever made. After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith (Pitt and Jolie) are stuck in a rut the size of the Grand Canyon?until the truth comes out! Unbeknownst to each other, they are both coolly lethal, highly paid assassins working for rival organizations. And when they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry that gives an all-new meaning to "Till death do us part!"

Twister [Blu-ray] (1996)

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Product Description

The house rips apart piece by piece. A bellowing cow spins through the air. Tractors fall like rain. A 15000-pound gasoline tanker becomes an airborne bomb. A mile-wide 300 miles-per-hour force of total devastation is coming at you: Twister is hitting home. In this adventure swirling with cliffhanging excitement and awesome special effects Helen Hunt and Bill Paxton play scientists pursuing the most destructive weatherfront to sweep through mid-America's Tornado Alley in 50 years. By launching electronic sensors into the funnel the storm chasers hope to obtain enough data to create an improved warning system. But to do so they must intercept the twisters' deadly path. The chase is on!Format: BLU-RAY DISC Genre: ACTION/ADVENTURE/RACE AGAINST TIME UPC: 085391186311 Manufacturer No: 118631

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe [Blu-ray] (2005)

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Product Description

Prepare to enter another world when Walt Disney Pictures and Walden Media invite you to experience C.S. Lewis' timeless and beloved adventure as never before on Blu-ray Disc™. Join Lucy Edmund Susan and Peter four siblings who step through a magical wardrobe and find the land of Narnia. There they discover a charming once-peaceful kingdom that has been plunged into eternal winter by the evil White Witch Jadis. Aided by the magnificent lion Aslan the children lead Narnia into a tremendous climactic battle to be free of the Witch's glacial powers forever! And now the stunningly realistic special effects are even more breathtaking in the astounding clarity of high definition. Meet talking beasts dwarfs fauns centaurs giants and more! Meanwhile every sound -- from the roar of Aslan to the echo of battle trumpets and the gentle rustling of leaves -- comes alive with spectacularly enhanced audio quality. Live the adventure of a lifetime as if for the very first time with Disney Blu-ray -- Magic in High Definition.System Requirements:Running Time: 135 minutesFormat: BLU-RAY DISC Genre: CHILDREN/FAMILY Rating: PG UPC: 786936751963 Manufacturer No: 5614903

The Complete Monty Python's Flying Circus 16-Ton Megaset (1982)

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This unassuming case is packed with 16 tons of funny: 14 discs of THE COMPLETE MONTY PYTHON S FLYING CIRCUS packed with every madcap moment from the programme s four year run plus 2 MONTY PYTHON LIVE! discs featuring--well you figure it out.While to the uninitiated they may look like ordinary .65 oz. digital video discs due to the unique physics of comedy (it s like quantum but with fewer dead cats) each disc actually weighs a full metaphoric ton! Please remember to lift with your knees.This 16-Ton Megaset contains every single episode of MONTY PYTHONG S FLYING CIRCUS--four years of blood sweat and blancmange--jammed into slivers of plastic the size of a tea plate and MONTY PYTHON LIVE!--Legendary live performances the 20-year celebration of Monty Python Parrot Sketch Not Included and the all-German Monty Python s Fligender Zirkus episode #1 squashed like pancakes. Sad really.Want to find the funny fast? Jump right to your favorite sketches in The Flying Circus with this index!Disc 1: The Funniest Joke in the World The Wrestling Episode and Nudge NudgeDisc 2: Art Critic Silly Job Interview and Crunchy FrogDisc 3: Dead Parrot Lumberjack Song and Vocational Guidance CounselorDisc 4: Undertaker s Film Upperclass Twit of the Year and AlbatrossDisc 5: The Ministry of Silly Walks The Spanish Inquisition and ComplaintsDisc 6: The Bishop Blackmail and DungDisc 7: Attila the Nun Silly Vicar and Exploding Penguin on the TV SetDisc 8: Scott of the Antarctic Dirty Hungarian Phrase-book and Exploding Blue DanubeDisc 9: Icelandic Saga Fish-Slapping Dance and Argument ClinicDisc 10: Blood Devastation War and Horror Mount Everest - Hairdresser Expedition and Gumby Brain SpecialistsDisc 11: Cheese Shop A Naked Man and The Olympic Hide and Seek FinalDisc 12: Elizabethan Pornography Smugglers Kamikaze Scotsman and PenguinsDisc 13: Montgolfier Brothers Department Store and RAF BanterDisc 14: Hamlet and Ophelia Mr. Neutron and Most Awful Family in BritainDisc 15: Live at the Holl

DVD Movie : Scary Movie 2 (2001)

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The Wayans Brothers return with another horror-flick parody, this one taking shots at The Exorcist, Hannibal, and House on Haunted Hill, along with non-horror fare like Charlie's Angels. In addition to gags (and I do mean gag) about innumerable bodily functions, there are slyer jabs at Thomas Jefferson and Raging Bull. As in Scary Movie, the strongest humor comes from making fun of the inane behavior of characters in horror movies. Assisting Shawn and Marlon Wayans are Anna Faris, Kathleen Robertson (in the Carmen Electra role, providing the T&A), and David Cross, as well as Tori Spelling, Chris Elliott, James Woods (as an exorcist with bowel trouble), Andy Richter, and poor Tim Curry, who probably never thought his career would come to this. --Bret Fetzer